Further analysis reveals influences from James Cotton ( Rocket 88) and Little Walter ( Back Track), to Big Walter Horton ( Hard Hearted Woman).
He also quotes the jazz horn greats (John Coltrane in particular) as being of great influence on his own playing. It was an harmonica epiphany.įollowing the forensics, Magic Dick credits Sonny Boy Williamson II’s Bye Bye Bird as his inspiration for the opening to Whammer Jammer. With a set list that included Homework, Pack Fair and Square and Whammer Jammer, the connection should have been blindingly apparent. I was even unaware of the influence the J.Geils Band had on my favourite UK outfit, Nine Below Zero. Worse still, I’d never heard of their harp man Magic Dick (aka Juke Joint Jimmy), the man with the sexy name and the crazy mane, who blew the back off his harps like a deranged pyrotechnician. I had no idea the Centerfold band played weapon grade R&B. As the musical mayhem unfolded, my jaw dropped and I stared into space bewitched.
#J GEILS WHAMMER JAMMER LIVE FULL#
Bluntly (being an Ozzie), he made it clear I was playing a Whammer Jammer derivative, and he duly produced his Full House LP to prove the point.ĭropping the vinyl on the turntable and grinning, he guided the stylus to track four. However, a friend brought me tumbling back to reality and landing firmly on my arse. Innocently, I believed I’d established myself at the pinnacle of power harping. My Whammer Jammer tale begins many years ago, when I learned what I assumed was a unique harp instrumental called Swing Job by Nine Below Zero. Key of A major ten hole diatonics harps at the ready. Like the lunar landing, or the fall of the Berlin Wall, every power harp fan can remember when and where they were first Whammered! So, it’s time to reminisce a little, do some research and then, with the help of modern technology, deconstruct the song for you. It is a power harping beast of the highest order. Originally recorded on the J.Geils Band studio album The Morning After in 1971, Whammer Jammer reappeared a year later on the classic live album Full House. Here’s the top entry in our ‘ I wanna play like that’ hit list. "Live" Full House is a short, punchy shot of rock & roll genius by one of the great bands of the '70s and one of the best live albums ever recorded.You gonna get it all down, get it all night, get it all right, get it out of sight and get it down baby?
Geils himself on guitar when you have a magnetic frontman like Peter Wolf or the unstoppable force that is harp player Magic Dick (check "Whammer Jammer" for proof of his greatness), but his soloing on this track serves notice that he could tear off a ferocious solo with the best of them. Geils Band and The Morning After, kicking out the jams on rockers like the Motown chestnut "First I Look at the Purse," Otis Rush's "Homework," and one of the group's first self-penned classics, "Hard Drivin' Man," as well as positively scorching through an incredible version of John Lee Hooker's dark and evil blues "Serves You Right to Suffer." It's easy to overlook J. Recorded in 1972 at Detroit's Cinderella Ballroom, the group runs through songs from their first two albums, The J. "Live" Full House was their first live record, and it is a blast from start to finish. Most live albums tend to be a poor excuse for actually being at the show in question, but the Geils Band's live albums jump out of the speakers with so much joy, fun, and unquenchable rock & roll spirit that you might as well be there. Geils Band made many fine, sometimes great, studio albums but where they really captured their full, thrilling potential was on the concert stage.
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